{"created":"2023-06-19T09:09:18.412073+00:00","id":20651,"links":{},"metadata":{"_buckets":{"deposit":"e287ab31-4321-4969-95f0-22a2360e2d2a"},"_deposit":{"created_by":1,"id":"20651","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"20651"},"status":"published"},"_oai":{"id":"oai:kumadai.repo.nii.ac.jp:00020651","sets":["399:562","585:619:709"]},"author_link":["151258","151517"],"item_15_alternative_title_22":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Suggestion of Analysis and Interpretation about the Piano Sonata No.2 G Sharp Minor, Sonata Fantasia Op.19 of A.N.Scriabin"}]},"item_15_alternative_title_23":{"attribute_name":"タイトル(ヨミ)","attribute_value_mlt":[{"subitem_alternative_title":"A.N. スクリャービン ピアノ ソナタ ダイ 2バン エイ トタンチョウ ゲンソウ ソナタ Op. 19 ニ オケル ブンセキ ト エンソウ カイシャク ニ ツイテ ノ イチコウサツ"}]},"item_15_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2007-11-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"288","bibliographicPageStart":"279","bibliographicVolumeNumber":"56","bibliographic_titles":[{"bibliographic_title":"熊本大学教育学部紀要 人文科学"}]}]},"item_15_creator_3":{"attribute_name":"別言語の著者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNameIdentifiers":[{"affiliationNameIdentifier":"","affiliationNameIdentifierScheme":"ISNI","affiliationNameIdentifierURI":"http://www.isni.org/isni/"}],"affiliationNames":[{"affiliationName":"","affiliationNameLang":"ja"}]}],"creatorNames":[{"creatorName":"袴田, 和泉","creatorNameLang":"ja"},{"creatorName":"ハカマダ, イズミ","creatorNameLang":"ja-Kana"},{"creatorName":"Hakamada, Izumi","creatorNameLang":"en"}],"familyNames":[{"familyName":"袴田","familyNameLang":"ja"},{"familyName":"ハカマダ","familyNameLang":"ja-Kana"},{"familyName":"Hakamada","familyNameLang":"en"}],"givenNames":[{"givenName":"和泉","givenNameLang":"ja"},{"givenName":"イズミ","givenNameLang":"ja-Kana"},{"givenName":"Izumi","givenNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"151517","nameIdentifierScheme":"WEKO"}]}]},"item_15_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_15_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_type":"Other"}]},"item_15_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"作曲家と演奏者との唯一の接点、それは楽譜である。作曲家は楽譜にすべてのメッセージを書き込み、演奏者は書かれた音符や指示記号から作曲家の意図を読み取り、生の声にしていく。作曲家の創造過程を再び自らの中で辿ることにより、作品と自分を同化させる作業、すなわち作品の分析が必要といえる。本稿においては、著者が一環して演奏してきたA.N.スクリャービンの作品のうち、「ピアノ・ソナタ第2番」について分析し、それをもとに、演奏解釈についての考察を行うものとする。なぜなら、演奏者にとって、音楽理論上の分析が分析だけで終わってしまうことは、形だけを認識することに他ならず、だからどのように演奏するか、演奏したいか、という演奏解釈にまで結びつけて初めて作品が生きたものとして自分自身の中で再創造されるものであるからである。","subitem_description_type":"Other"}]},"item_15_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"熊本大学"}]},"item_15_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0454613X","subitem_source_identifier_type":"ISSN"}]},"item_15_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10315093","subitem_source_identifier_type":"NCID"}]},"item_15_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"762.3","subitem_subject_scheme":"NDC"}]},"item_15_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"1431285 bytes"}]},"item_15_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_15_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_15_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_15_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"02"}]},"item_15_version_type_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"袴田, 和泉"}],"nameIdentifiers":[{"nameIdentifier":"151258","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-03-02"}],"displaytype":"detail","filename":"KJ0056_279-288.pdf","filesize":[{"value":"1.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KJ0056_279-288.pdf","url":"https://kumadai.repo.nii.ac.jp/record/20651/files/KJ0056_279-288.pdf"},"version_id":"783f0121-0cfa-4747-86f5-d55e744b6ef4"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"形式的変化","subitem_subject_scheme":"Other"},{"subitem_subject":"和声分析","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"A.N.スクリャービン「ピアノ・ソナタ第2番嬰ト短調幻想ソナタOp.19」における分析と演奏解釈についての一考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"A.N.スクリャービン「ピアノ・ソナタ第2番嬰ト短調幻想ソナタOp.19」における分析と演奏解釈についての一考察"}]},"item_type_id":"15","owner":"1","path":["562","709"],"pubdate":{"attribute_name":"公開日","attribute_value":"2007-12-21"},"publish_date":"2007-12-21","publish_status":"0","recid":"20651","relation_version_is_last":true,"title":["A.N.スクリャービン「ピアノ・ソナタ第2番嬰ト短調幻想ソナタOp.19」における分析と演奏解釈についての一考察"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-09-12T01:31:41.038861+00:00"}