@article{oai:kumadai.repo.nii.ac.jp:00021649,
 author = {Nishimaki, Isamu and 西槇, 偉},
 journal = {文学部論叢},
 month = {Mar},
 note = {application/pdf, 論文(Article), In this paper, I examine Chinese traditional motives in Feng Zikai's works, and reveal Feng's reformation of traditional arts. There had been a few pieces based on traditional motives among his early works. However in the 1930's after the painter's rediscovering Chinese tradition, these numbers increased. Several characteristics of theses paintings can be found, including, (1) Feng adopted the composition techniques of European art. (2) When there is similarity between traditional motif and the foreign arts, Feng's production is more abundant. Foreign impulses are important even for the reformation of tradition. (3) Receiving the expression of Literati painting, Feng attempted to simplify it, change the motif into modern, and choose the point of view Pingyuan (平遠) which is similar to the European perspective.},
 pages = {97--121},
 title = {中国文人画の近代化 : 豊子愷作品における伝統モチーフの応用},
 volume = {87},
 year = {2005}
}