{"created":"2023-06-19T09:12:44.069880+00:00","id":24608,"links":{},"metadata":{"_buckets":{"deposit":"ac19cdbe-d10a-4d44-87ee-0712650da361"},"_deposit":{"created_by":1,"id":"24608","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"24608"},"status":"published"},"_oai":{"id":"oai:kumadai.repo.nii.ac.jp:00024608","sets":["407:408:409"]},"author_link":["109763","153381"],"item_15_alternative_title_22":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"L'etat d'ame de Verlaine vu par l'etude de son vocabulaire et de ses expressions dans La Bonne Chanson"}]},"item_15_alternative_title_23":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"ヨキ ウタ ニ オケル ヴェルレーヌ ノ タマシイ ノ ジョウタイ : ゴイ オヨビ ヒョウゲン ケンキュウ オ チュウシン ニ 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Romances sans paroles)及び《叡知》(Sagesse)を理解する上でも重要な作業の一過程であるように思われる。なぜならば、自己の魂を告白するというヴェルレーヌの独自の詩法は、先に述べたように《よき歌》から始まり、最後の傑作《叡知》においてその頂点に達するからである。いわば、これまで見えなかったヴェルレーヌが徐々に姿を現すのである。本論はこのような意図のもと、語彙研究及び表現研究を中心に、詩人の魂の状態を考察したものである。","subitem_description_type":"Other"}]},"item_15_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"熊本大学"}]},"item_15_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0386717X","subitem_source_identifier_type":"ISSN"}]},"item_15_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00066709","subitem_source_identifier_type":"NCID"}]},"item_15_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"951","subitem_subject_scheme":"NDC"}]},"item_15_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"3642377 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