{"created":"2023-06-19T09:15:28.435000+00:00","id":27846,"links":{},"metadata":{"_buckets":{"deposit":"50434c4a-4fee-40bb-a7a5-70692192692c"},"_deposit":{"created_by":1,"id":"27846","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"27846"},"status":"published"},"_oai":{"id":"oai:kumadai.repo.nii.ac.jp:00027846","sets":["401:703","585:624:747"]},"author_link":["153050","153051"],"item_15_alternative_title_22":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"An Analysis of Alteration of Salieri's Tarare to Axur, re d'Ormus"}]},"item_15_alternative_title_23":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"サリエーリ ノ オペラ タラール カラ オルムス ノ オウ アクスール エノ カイヘン ニ カンスル コウサツ"}]},"item_15_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2013-03-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"108","bibliographicPageStart":"93","bibliographicVolumeNumber":"11","bibliographic_titles":[{"bibliographic_title":"熊本大学社会文化研究"}]}]},"item_15_creator_3":{"attribute_name":"別言語の著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Sato, Keiji"}],"nameIdentifiers":[{"nameIdentifier":"153051","nameIdentifierScheme":"WEKO"}]}]},"item_15_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_15_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_type":"Other"}]},"item_15_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"An Italian composer Antonio Salieri composed two problematic operas, Tarare (1787) and Axur, re d'Ormus (1788). The libretto of Tarare is written by French playwrighter Pierre Augustin Caron de Beaumarchais who is famous for his play Le mariage de Figaro, and it challenges the ancient regime with ideas of the Enghlitenment. As this opera became a great success in Paris just before the French Revolution, Joseph II, Holy Roman Emperor ordered Salieri to perform Tarare in Italian in Vienna. Salieri commissioned an Italian writer Lorenzo Da Ponte to translate the libretto into Italian and they completed the Italian opera Axur，re d'Ormus. But this Italian version has a lot of differences from the original libretto of Tarare，\nincluding its title. Then, what is the meaning of this revision and what factors of social\nbackground caused these alterations？ This dissertation analyzes these questions through a\ncomparison of social background of Paris and Vienna at that time.","subitem_description_type":"Other"}]},"item_15_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"熊本大学"}]},"item_15_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1348530X","subitem_source_identifier_type":"ISSN"}]},"item_15_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11837081","subitem_source_identifier_type":"NCID"}]},"item_15_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"766.1","subitem_subject_scheme":"NDC"}]},"item_15_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"1669763 bytes"}]},"item_15_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_15_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_15_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_15_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"02"}]},"item_15_version_type_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"佐藤, 慶治"}],"nameIdentifiers":[{"nameIdentifier":"153050","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-03-03"}],"displaytype":"detail","filename":"SB0011_093-108.pdf","filesize":[{"value":"1.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"SB0011_093-108.pdf","url":"https://kumadai.repo.nii.ac.jp/record/27846/files/SB0011_093-108.pdf"},"version_id":"08ee8f85-7abe-4de2-8405-3c3fee42ff56"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"サリエーリのオペラ《タラール》から《オルムスの王アクスール》ヘの改変に関する考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"サリエーリのオペラ《タラール》から《オルムスの王アクスール》ヘの改変に関する考察"}]},"item_type_id":"15","owner":"1","path":["703","747"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-08-08"},"publish_date":"2013-08-08","publish_status":"0","recid":"27846","relation_version_is_last":true,"title":["サリエーリのオペラ《タラール》から《オルムスの王アクスール》ヘの改変に関する考察"],"weko_creator_id":"1","weko_shared_id":1},"updated":"2023-06-19T14:12:20.018796+00:00"}