@article{oai:kumadai.repo.nii.ac.jp:00030463,
 author = {申, 福貞 and Shen, Fuzhen and 申, 福貞 and Shen, Fuzhen},
 journal = {熊本大学社会文化研究},
 month = {Mar},
 note = {application/pdf, 論文(Article), After the Manchurian Incident, the Japanese government strengthened its rule over the literary world. All speeches, publications and cultural activities had lost freedom and were censored by the Intelligence Agency of the cabinet. In the concept of "The Greater East Asia Co-Prosperity Sphere" and the idea of return to the tradition, such opposing concepts, like "homeland" and "strangeland", "center" and "surroundings", "Japanese" and "its oversea territories", "civilized" and "barbarous", were combined with the notion of superior and subordinate relationship, and begun to spread in the realm of speech and thought. These widely-circulated concepts of the war years were not products of the 1930s and 1940s, but were formed gradually under the modernization of Japan sine the Meiji Restoration. Such concepts are mainly connected with the "boundary" issues. Taking Dazai Osamu, Dan Kazuo and Nakamura Chihei as the analytical objects, this paper examines the "boundary" issues during the war years through the writers' experiences in Asia.},
 pages = {195--206},
 title = {戦時下の文学と「境界」の表象 : 太宰治・檀一雄・中村地平の場合},
 volume = {16},
 year = {2018},
 yomi = {シン, フクテイ and シン, フクテイ}
}