{"created":"2023-06-19T09:18:17.770731+00:00","id":31198,"links":{},"metadata":{"_buckets":{"deposit":"43ef3abe-25e6-4d13-8236-a2d99b29ea5f"},"_deposit":{"created_by":1,"id":"31198","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"31198"},"status":"published"},"_oai":{"id":"oai:kumadai.repo.nii.ac.jp:00031198","sets":["401:703","585:624:649"]},"author_link":["152790","152789"],"item_15_alternative_title_22":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The study  of Lafcadio Hearn's STRAY LEAVES FROM STRANGE LITERATURE : About the construction of space in LES COULISSES and THE GHOSTLY KISS"}]},"item_15_alternative_title_23":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"ラフカディオ ハーン ヒカ ラクヨウシュウ ノ ケントウ : ブタイ ノ ウラ ト ユウレイ ノ セップン ニ オケル クウカン コウゾウ オ チュウシン ニ"}]},"item_15_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"253","bibliographicPageStart":"243","bibliographicVolumeNumber":"17","bibliographic_titles":[{"bibliographic_title":"熊本大学社会文化研究"}]}]},"item_15_creator_3":{"attribute_name":"別言語の著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Qin, Yuwei"}],"nameIdentifiers":[{"nameIdentifier":"152790","nameIdentifierScheme":"WEKO"}]}]},"item_15_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_15_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_type":"Other"}]},"item_15_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"STRAY LEAVES FROM STRANGE LITERATURE is written by Patrick Lafcadio Hearn in New Orleans. LES COULISSES and THE GHOSTLY KISS are two special essays in this work since they share a special scene: the theatre. Which is barely appears in other essays of Hearn. The description of the theatre scenes in these two essays also shares many similarities, such as the association between this the stage and life, which Hearn called \"the shining temple\" ; and the association between the backstage and \"the Unknown World\" Correspondingly. The emphasis on the light and shadow also appears in both of the two essays. By analyzing these special ways Hearn describing the theatre we can find a deeper significance inside this scene, which reflects the author's views of life and death, and also exerts a far-reaching influence on the later works after Hearn came to Japan.","subitem_description_type":"Other"}]},"item_15_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"熊本大学"}]},"item_15_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1348530X","subitem_source_identifier_type":"ISSN"}]},"item_15_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11837081","subitem_source_identifier_type":"NCID"}]},"item_15_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"930.26","subitem_subject_scheme":"NDC"}]},"item_15_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"492354 bytes"}]},"item_15_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_15_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_15_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_15_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"02"}]},"item_15_version_type_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"秦, 裕緯"}],"nameIdentifiers":[{"nameIdentifier":"152789","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-03-03"}],"displaytype":"detail","filename":"SB0017_243-253.pdf","filesize":[{"value":"492.4 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"SB0017_243-253.pdf","url":"https://kumadai.repo.nii.ac.jp/record/31198/files/SB0017_243-253.pdf"},"version_id":"ac755350-9b7b-4d4a-9c98-3603ceacc095"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ラフカディオ・ハーン『飛花落葉集』の検討 : 「舞台の裏」と「幽霊の接吻」における空間構造を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ラフカディオ・ハーン『飛花落葉集』の検討 : 「舞台の裏」と「幽霊の接吻」における空間構造を中心に"}]},"item_type_id":"15","owner":"1","path":["649","703"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-04-25"},"publish_date":"2019-04-25","publish_status":"0","recid":"31198","relation_version_is_last":true,"title":["ラフカディオ・ハーン『飛花落葉集』の検討 : 「舞台の裏」と「幽霊の接吻」における空間構造を中心に"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-06-19T16:09:46.828595+00:00"}