@article{oai:kumadai.repo.nii.ac.jp:00032145,
 author = {彭, 柯然 and Peng, Keran and 彭, 柯然 and Peng, Keran},
 journal = {熊本大学社会文化研究},
 month = {Mar},
 note = {Yasunari Kawabata's novel “The Father Who Stole the Stars” is a short story adapted from the play “Liliom” by the Hungarian writer Ferenc Molnar （1878－1952）. It is an unpublished work of Kawabata that was released in recent years. In this paper, I first introduced the original work of “Liliom” and “Swan” by Zentaro Suzuki. Then, I compared Glazer's English translation, Suzuki's translation, and Kawabata's adaptation, and then considering the characteristics of Suzuki's translation and the relationship between Suzuki's translation and Kawabata's adaptation. Secondly, I speculated from the copyright law at that time about the reason why “The Father Who Stole the Stars” was not published. Finally, I would like to analyze it through the keyword of “family love” in relation to Kawabata's novels from the same time as “The Father Who Stole the Stars”.},
 pages = {113--124},
 title = {川端康成と翻案小説「星を盗んだ父」},
 volume = {19},
 year = {2021},
 yomi = {ホウ, カゼン and ホウ, カゼン}
}