{"created":"2023-06-19T09:20:37.963308+00:00","id":34318,"links":{},"metadata":{"_buckets":{"deposit":"08853dcf-367c-4868-97f8-ba619eb57170"},"_deposit":{"created_by":12,"id":"34318","owners":[12],"pid":{"revision_id":0,"type":"depid","value":"34318"},"status":"published"},"_oai":{"id":"oai:kumadai.repo.nii.ac.jp:00034318","sets":["405:647","585:645:1502"]},"author_link":["169258"],"item_15_alternative_title_23":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"キョウキ ノ メタモルフォーシス :  シェイクスピア サクヒン ニオケル エクソシズム ヒョウショウ ト ソノ ゴラクセイ"}]},"item_15_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"125","bibliographicPageStart":"113","bibliographicVolumeNumber":"3","bibliographic_titles":[{"bibliographic_title":"人文科学論叢"},{"bibliographic_title":"Kumamoto journal of humanities","bibliographic_titleLang":"en"}]}]},"item_15_creator_3":{"attribute_name":"別言語の著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Matsuoka, Hiroshi"}],"nameIdentifiers":[{"nameIdentifier":"169258","nameIdentifierScheme":"WEKO"}]}]},"item_15_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"As long as the private paper written by the physician Stephen Bradwell is trustworthy, the form of exorcism performed for Mary Glover in 1602 bears close resemblance to today’s spectacle show with 'many beholders coming in and going out, sometimes by troupes of 8 or 10 at once.' The symptoms displayed by the demoniac gradually increased intensity, illustrating the theatricality and spectacle. In All's Well that Ends Well, surprised by the resurgent of Helen in the final scene, the French King expresses his dismay with the metaphor of exorcism: 'Is there no exorcist/ Beguiles the truer office of mine eyes?' An exorcist, previously represented as a charlatan before 1600, is now clearly portrayed as an illusionist in the later works of Shakespeare. This paper discusses when and how this shift occurred, focusing on the representations of exorcism in Shakespeare's dramatic works in the context of entertainment and spectacle made out of early modern curiosity.","subitem_description_type":"Other"}]},"item_15_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"熊本大学大学院人文社会科学研究部(文学系)"}]},"item_15_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"24350052","subitem_source_identifier_type":"ISSN"}]},"item_15_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12888532","subitem_source_identifier_type":"NCID"}]},"item_15_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"932.5","subitem_subject_scheme":"NDC"}]},"item_15_version_type_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松岡, 浩史"},{"creatorName":"マツオカ, ヒロシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"169258","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","displaytype":"detail","filename":"JBR0003_113-125.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"url":"https://kumadai.repo.nii.ac.jp/record/34318/files/JBR0003_113-125.pdf"},"version_id":"43cebd59-2e88-4dd0-b41d-edbfe12848a4"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"madness","subitem_subject_scheme":"Other"},{"subitem_subject":"histeria","subitem_subject_scheme":"Other"},{"subitem_subject":"exorcism","subitem_subject_scheme":"Other"},{"subitem_subject":"demonology","subitem_subject_scheme":"Other"},{"subitem_subject":"entertainment","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"狂気のメタモルフォーシス : シェイクスピア作品におけるエクソシズム表象とその娯楽性","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"狂気のメタモルフォーシス : シェイクスピア作品におけるエクソシズム表象とその娯楽性"},{"subitem_title":"Metamorphosis of Madness The Representation and Entertainment Aspect of: Exorcism Rituals in Shakespeare's Dramatic Works","subitem_title_language":"en"}]},"item_type_id":"15","owner":"12","path":["647","1502"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-04-14"},"publish_date":"2022-04-14","publish_status":"0","recid":"34318","relation_version_is_last":true,"title":["狂気のメタモルフォーシス : シェイクスピア作品におけるエクソシズム表象とその娯楽性"],"weko_creator_id":"12","weko_shared_id":-1},"updated":"2023-06-19T13:22:39.372876+00:00"}