@article{oai:kumadai.repo.nii.ac.jp:00034977,
 author = {益, 敏郎 and Eki, Toshiro},
 journal = {人文科学論叢, Kumamoto journal of humanities},
 month = {Mar},
 note = {In his biographical novel Holderlin, Peter Hartling criticized the social conditions in postwar West Germany, the fifties' refusal to recall the history and the sixties' political radicalization, and, in opposition to the two images of Holderlin, the metaphysical poet that had been maintained until the fifties and the political poet (homo politicus) of the sixties, he invented the “reality of Holderlin” in the daily life. To do so, Hartling practices a method that breaks with the assumptions of biography and historical fiction, that of the self-referential narrator of subjectivity and fictionality, and produced important results in the exploration of the possibilities of the narrative. However, a strong attachment to motherhood and a problematic tendency to uncritically follow traditional views of the family should also be recognized. On the other hand, there are also important ideas that conceive of democracy on the basis of the intimate sphere.},
 pages = {159--175},
 title = {ペーター・ヘルトリング『ヘルダーリン』における現実の発明 : 日常、家族、デモクラシーの物語},
 volume = {4},
 year = {2023},
 yomi = {エキ, トシロウ}
}