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『リチャード三世』における怪物の表象 : 娯楽文化史の視座から
http://hdl.handle.net/2298/0002000358
http://hdl.handle.net/2298/0002000358e7d0639a-1ec6-441c-a7d0-9a266c0dcd6d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
JBR0005_039-052.pdf
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2024-03-25 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 『リチャード三世』における怪物の表象 : 娯楽文化史の視座から | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | リチャード 3セイ ニオケル カイブツ ノ ヒョウショウ : ゴラク ブンカシ ノ シザ カラ | |||||||||||
| 言語 | ja-Kana | |||||||||||
| タイトル | ||||||||||||
| タイトル | Richard Ⅲ, the Monster : Representation of Monstrosity from the Perspective of Entertainment Culture | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題 | 初期近代英国, シェイクスピア, 大衆劇場, バラッド, 商業演劇, 娯楽産業, 見世物, 文化的他者 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 著者 |
松岡, 浩史
× 松岡, 浩史
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| 内容記述 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | The excavation of Richard III’s remains by the University of Leicester in 2012 revealed that Richard III’s physical deformity was not a mere exaggeration in Shakespeare’s works, but rather a factual embellishment. While Shakespeare in his own works further demonized the ‘disabled’ Richard portrayed in Thomas More’s ‘The History of King Richard the Thirde’, one wonders how the contemporaneous audience consumed this monstrosity attributed to Richard. In ‘Henry VI, Part 3’, Richard declares, ‘Proteus is not more flexible in shape-changing than I am.’ Records of performances at Bartholomew Fair by acrobats began to emerge in the 17th century, with a focus on bodily contortions as a central act. Acrobats, such as Joseph Clark who performed at Southwark Fair, were noted by diarist John Evelyn to have earned money by portraying a hunchbacked individual, and were praised for their Protean-like transformations. This paper points out that concepts like deformity and monstrosity were not only anatomical phenomena since Aristotle’s time, but also sources of the playwright’s imagination. | |||||||||||
| 書誌情報 |
ja : 人文科学論叢 en : Kumamoto journal of humanities 巻 5, p. 39-52, 発行年 2024-03-31 |
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| ISSN | ||||||||||||
| 収録物識別子 | 2435-0052 | |||||||||||
| NCID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AA12888532 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| 日本十進分類法 | ||||||||||||
| 主題Scheme | NDC | |||||||||||
| 主題 | 932.5 | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | 熊本大学大学院人文社会科学研究部(文学系) | |||||||||||
| 言語 | ja | |||||||||||
