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スペクタル化される狂気 : 『リア王』における「ベドラム乞食」の表象
http://hdl.handle.net/2298/42107
http://hdl.handle.net/2298/42107f4d4710c-a20b-4b0f-a50c-d9bea4c70a60
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
BR0110_031-043.pdf (981.6 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2019-04-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | スペクタル化される狂気 : 『リア王』における「ベドラム乞食」の表象 | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | スペクタクル カ サレル キョウキ : リアオウ ニ オケル ベドラム コジキ ノ ヒョウショウ | |||||||||||
| 言語 | ja-Kana | |||||||||||
| タイトル | ||||||||||||
| タイトル | The Spectacularity of Madness : The Representation of "Bedlam Beggars" in King Lear | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題 | 狂気, エクソシズム, 演劇表象, 娯楽産業, 見世物文化, 文化的他者 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 著者 |
松岡, 浩史
× 松岡, 浩史
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| 内容記述 | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | St. Bethlem Hospital in Shakespeare's age was merely a small asylum housing fewer than thirty inmates during the late sixteenth and early seventeenth centuries. Without any actual counterpart in the real world, the discourse that it functioned as entertainment center fascinated the playwrights of the age and even the modern critics. While the vagaboned in early modern England were branded as nuisance of the age due to a set of Vagrancy Acts, their literary characters were creating the image of rogues of the 'Elizabethan Underworld'. Edgar in King Lear, following this tradition, both entertains and touches a pittful cord in the audience with his 'sp ectacular' performance as a demoniac, whose bizarre posture also worked as fictional spectacle to Shalkespeare's audience, for exorcism in the protestant England was prohibited by the Elizabethan and Jacobean authority. This paper points out the possibility that Shakespeare pre-engaged the representation of lunatics as a spectacle show, which became common entertainment from the late seventeenth century on. | |||||||||||
| 書誌情報 |
ja : 文学部論叢 巻 110, p. 31-43, 発行年 2019-03-31 |
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| ISSN | ||||||||||||
| 収録物識別子 | 0388-7073 | |||||||||||
| NCID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN0022154X | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| 日本十進分類法 | ||||||||||||
| 主題Scheme | NDC | |||||||||||
| 主題 | 772 | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | 熊本大学 | |||||||||||
| 言語 | ja | |||||||||||
| コメント | ||||||||||||
| 言語 | ja | |||||||||||
| 値 | 〔文学篇〕【論文】 | |||||||||||
